Paul Balmer in front of some of his work. Photo by Melissa Moehlman; taken from wikipedia.

This past Friday, I had the exquisite experience of attending Paul Balmer’s artist reception for his new collection Cityscape to Landscape at the Campton Gallery at 451 West Broadway in New York City. Mr. Balmer hails from South Africa and his since been somewhat of an international citizen; with exhibitions over the past two decades in London, Chicago, Sydney Australia, Boston, and New York to name a few.

Over a Red River, by Paul Balmer

Mr. Balmer’s Cityscapes capture a unique essence of both New York City and the country in that he manages to express (in cityscapes) a viable and controlled chaos that is natural in the habitat of our concrete jungle. For this reason, I would beg to argue the collection’s metamodernistic influence simply by the adventure Mr. Balmer’s pieces take you on.

Between Night and Day, by Paul Balmer

Then there are the Landscapes, a perfect juxtaposition to it’s Manhattan counterpart by way of serenity and the ability to transport you to any welcome and familiar place in the annals of your memory. I was both seventeen again in the Tuscan countryside and a child on a farm in central New Mexico. Paul Balmer possesses the gift of expressing to you, you’re own emotions through his art.

Quiet Country by Paul Balmer

A special thank you to Miss Allison Harrell for the invitation.

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